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Andrew L. Moore
Andrew Lambdin Moore (26 March 1957, Old Greenwich, CT) is an American photographer and filmmaker known for large format color photographs of Detroit, Cuba, Russia, the American High Plains, and New York’s Times Square theaters. Moore’s photographs employ the formal vocabularies of architectural and landscape photography and the narrative approaches of documentary photography and journalism to detail remnants of societies in transition. His photographic essays have been published in monographs, anthologies, and magazines including ''The New York Times Magazine'', ''Time'', ''The New Yorker'', ''National Geographic'', ''Harper’s Magazine'', ''The New York Review of Books'', ''Fortune'', ''Wired'', and ''Art in America''. Moore’s video work has been featured on PBS and MTV; his feature-length documentary about the artist Ray Johnson, “How to Draw a Bunny,” won the Special Jury Prize at the 2002 Sundance Film Festival. Moore teaches in the MFA Photography, Video and Related Media program at the School of Visual Arts in New York.
==Early life==
Andrew Lambdin Moore, born March 26, 1957, grew up in Old Greenwich, Connecticut. His father Sydney Hart Moore, was a commercial architect, and his mother Patricia Lambdin Moore, was an editor at the New York Graphic Society, a fine art publisher. Moore’s parents supported his early interest in photography; his father built him an attic darkroom and his mother introduced him to the works of Peter Beard, whose book, ''Eyelids of the Morning'', a study of Nile crocodiles on Lake Rudolf, was being published by NYGS. Beard learned of Moore’s interest in photography and signed two prints to him from this series. Moore is related to the Victorian era artists George Cochran Lambdin, known for his paintings of flowers, and Alfred A. Hart, an official photographer for the Central Pacific Railroad, who documented the construction of the western half of the first transcontinental railroad.〔〔
In 1975, Moore enrolled at Princeton University, where he worked on an independent major in photography under the guidance and mentorship of the historian Peter Bunnell and the photographer Emmet Gowin, who at the time, was completing his first monograph. During that time, Moore also had the benefit of working with visiting artists including Frederick Sommer, Jim Dow, and Joel Meyerowitz. Moore graduated summa cum laude in 1979.
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